Mittwoch, 23. März 2016

Review: Nekrogobolikon - Heavy Meta Picture Disc

A "goblin metal" record released via the bands own label, run by "Elliot Box, an immortal wizard lizard who uses magic to make money off of music bands." As you might have noticed, Nekrogoblikon do not take themselves very seriously. But be not mistaken, they are bloody professionals. I first came across Nekrogoblikon through their already cult-like music video to "No one survies" of the 2011 album Stench. 4.6 million views on youtube speak for themselves. Just for the sake of comparison: Amon Amarth gets way less views on their music videos. To be honest, I lost track of Nekrogoblikon till last month, when they played in the smallest venue in my hometown in front of 50-70 people. And to make it clear, this gig is in the top 10 of all the concerts I visited (including Black Sabbath, Iron Maiden, AC/DC, Metallica...). Unfortunately the gig was near the end of their european tour and all the vinyl copies of Heavy Meta were already sold out. So much for my plan to get the sleeve signed... Nevertheless, I managed to snag a copy of this album via Discogs as the LP was not available at their european store that time.











Quick Facts: 
  • Artist: Nekrogoblikon
  • Album: Heavy Meta
  • Version: LP, picture disc  - Discogs Link
  • Label: Mystery Box LLC
  • Found at: Discogs Marketplace
Reviewing this album took me some time as there was way more to research. First of all, Mystery Box LLC is the bands own label, so it is not possible to gather information about the usual quality as there are no releases on this label. Furthermore, I have not found the album in any of the databases I usually use. So I used a different approach this time. I compared the sound quality of the vinyl record, the digital download (comes with the album), high quality streaming on spotify and normal streaming. I did not use any technical equipment to measure anything, so the sound quality is really subjective this time.

Quality and artwork:
The album comes in a single cardboard sleeve. The cardboard is rather thin compared to other albums. Additionaly, my copy has been glued together badly at the top (a bit skewed). The record itself is a as perfect as a picture disc can get. Compared to other picture discs I own, the grooves are clearly visible and the record is not that heavy. The feel is definitely right. The record sits in a printed inner sleeve which has about the quality of a better poster. The record was apparently pressed by Pirate Press Czech Republic which is known for their high quality pressings.
The cover artwork is pretty awesome - especially how the band depicted themselves (see the image on the left). The back is just the landscape of the cover continued with track list and some additional information The inner sleeve is the band playing in a lake at sunset, again with a larger goblin prominently featured on the upper half. The large goblin is a recurring image as it is placed on the album cover, the inner sleeve and side A and B of the record. The record is beautiful as you can see in the pictures below.














Sound Quality:
Taylor Larson (Mastering) and Matt Hyde (Mixing) are not names I have heard of in the past. Larson apparently worked with Toothgrinder and Veil of Maya in the past, while Matt Hyde is a member of the band From First to Last. So once again it was not possible for me to deduct anything regarding the sound quality from the names. So it was about time to conduct my own experiment. The setup I used consits of Nubert nujubilee 40 stereo speakers and a Denon PMA-925-R amp for all sources. The vinyl was played on a Dual 1219 turntable, the losless via my pc connected to the amp, and streaming both via pc and my smartphone (Oneplus One).

I won't bother you with a report of every single source and just jump to the conclusion. The sound quality on vinyl is great and on par with the losless downloaded files. I honestly can't hear any difference here. Spotify high quality streaming was a bit tricky. Using my smartphone as a source the sound was a bit washed up and some instruments hard to identify. When I used my computer as the source the quality improved but did not reach the quality of the vinyl. Standard streaming on spotify was noticeably worse than any other sources used.

The Music
Nekrogoblikon classifies their music as goblin metal (duh). It's a very keyboard heavy mix of melodic death metal with folk elements. Their music has recognition value - if you hear Nekrogoblikon, you know its them! This is a concept album about the band (We need a gimmick!) and thus the name "Heavy Meta" - you should definitely check out the lyrics. Compared to their past releases the album is definitely more accessible in terms of music and although rather short, one of my top 10 releases of 2015. I won't go into more details as there are plenty of reviews out there, but I'd suggest to just listen to a few tracks on youtube or any other legal source.

ConclusionFor a self-released vinyl picture disc the quality is great and among the better picture disc releases in my collection. The sound quality is good and on par with the high quality download files. If you're into Nekrogoblikon's music I'll definitely recommend a purchase.

If you manage to see them live, go for it. Their show is amazing, the atmosphere is great and seem to care a lot about their fans.

Thanks for a great show in Graz!
Truly yours, your biggest fan this is.. ah suck it.

Don't forget to like us on facebook if you want to get notifications about new posts.

Dienstag, 15. März 2016

Vinyl fairs: Expectation vs. Reality

First of all, I don't know which term is common in the scene as I've seen both exchange and fair being used and I could not make out a difference.  For the sakes of readability I am going to refer to them as fairs.
A vinyl fair can be a blessing or a curse. I've been to only three of them but I made classic mistakes on each of them. I still came home with a bunch of great heavy metal records, but I literally  paid my tribute for not being prepared. So here are the lessons I learned the hard way.

Expectation I:
It doesn't matter if I show up an hour after opening.

Reality:
The good/reasonably priced records go fast. I arrived late on my first fair and people showed me what they've purchased today. Thrilled to find similar records I kept on digging only to find that the interesting records where already gone. With that in mind I went to my second fair with...

Expectation II:
I will find a rare record for a good price.

Reality: 
A vinyl fair here in Austria is an event where record stores sell their used or in some cases new records. These guys know exactly what they have and what to sell it for. You can find rare records but don't expect them to come at a bargain. The prices are usually slightly above discogs prices, and the rare records by a margin. Darkthrones first pressing of "A Blaze In The Northern Sky" was available for €200 while Burzum's "Aske" Mini EP was seen for 900€. Those records are usually used to show off and nobody with experience in buying vinyl would buy the records for those prices. With my hopes of finding a rare record for cheap crushed I lowered my standards to...

Expectation III:
At least I'll get some good metal records from the past few years.

Reality:
95% of the records at the fairs are non-metal. 95 % of the metal records are from the same few bands: Iron Maiden, Black Sabbath, Dio, Rainbow, Ozzy Osbourne, AC/DC and you find a lot of rock filed under metal/heavy like Bon Jovi or the Scorpions. With my hopes crushed again I settled for...

Expectation IV:
The price tag on the records I find and want to buy will be okay.

Reality:
If you don't barter, you'll lose money. Many sellers set their prices 5-10 € above value so it seems you'll make a good purchase. 20 € price tag for a 1982 VG+ edition of Iron Maiden's - Number of the Beast? "Hey for you I'll make it 15." - Emperors reissue of "In the Nightside Eclipse"? - "Usually 29 but for you 22". Bartering is essential if you want the records for their market value. I am all for supporting local record stores but sometimes it's a total rip off.

Lessons learned:
- If it is a small fair, show up early.
- You will find rare records but the price tag is hefty
- Be prepared that most of the records are non-metal
- Be prepared that the heavy/metal section consists of the same few classic bands
- Be prepared to pay a bit more than online

Vinyl fairs are a great event when you keep in those lessons in mind. And it's an interesting place to meet vinyl enthusiasts and metal fans alike. Especially when you talk to collectors or sellers who dedicated their lives to vinyl you may hear some very interesting stories.

So here's a quick overview of what I came away with this time:

Lamb of God - Sturm und Drang
I was fortunate enough to come across a sealed copy of Lamb of God's recent album. According to the seller he bought two copies by mistake. This is the 2LP clear limited edition (Discogs link). The price was the same as on discogs and below retail.





















Enslaved - Frost
I am a big fan of Enslaved and I am collecting all their releases. So when I came across the picture disc of Frost. The front is the album cover and the back is a ridiculous image of the band. (If you need to know, check this link).

Dark Funeral - In the sign...
This is a 2000 reissue of the original Dark Funeral self titled EP with two bonus tracks. This record is amazing in every way. The sound and the music alike. 





















Primordial - Where greater men have Fallen
This was one of the few newer records I stumbled upon. There where actually three sellers with this album and the prices varied by a margin. I got the record for a bit over discogs prices which was okay.

Emperor - In the Nightside Eclipse
This is a purchase I regret a lot. I like Emperor, I am fan of Ihsahn but this 2008 reissue sounds very very bad. Seriously, Back on Black, the label behind the reissue, is known for bad sounding records. So there's the newest lesson I learned: Do some research before buying from unknown labels.






Sonntag, 6. März 2016

Review: At the Gates - Slaughter of the Soul (FDR)

Reviewing an album which came out in 95 may not be the best choice. There are hundreds of reviews already available and there is not much left to say about the music. Slaughter of the Soul is a true classic and a masterpiece of early Gothenburg sound. So why review this then? It's a reissue. And reissues, especially of older albums, tend to vary a lot in terms of sound quality. Reissues are sometimes rushed and use the CD master or even worse: lower quality MP3s. I have bought a bunch of bad reissues in the past with bad sound quality, warped records, badly cut spindles so I did a little research before buying this record.


Quick Facts: 
This version is a great example why researching what you are buying will net you a great record. Had I found this version in a record store, I'd probably passed on it. There is only little information on the sleeve indicating that this a reissue. The only hint is the little 2014 in the bottom left corner on the back of the sleeve. I did a little research and according to discogs this is a full dynamic range, remastered, initially limited heavyweight black vinyl version of Slaughter of the Soul. This is mentioned nowhere on the whole record. So in the store would have passed on a potentially great record. Earache is well known for their FDR releases of classic albums in the past and they are well perceived.  Earache released a bunch of FDR CD reissues in the past and the consensus seems to be that the differences to the original pressings are big. Nearly all reviews I read praised the sound quality. On vinyl the differences are subtle as most of the original releases already had a very high sound quality. So upgrading to a FDR vinyl is not essential. If you want to read a bit about FDR and/or audiophile metal I strongly recommend the awesome page Metal-Fi (Link to their FDR rating system).


The origin of FDR is something you might have heard of before. The so called loudness-war which is the tendency of increased audio levels on records since the 90's. You can read about it on wikipedia but I strongly suggest the website of mastering engineer Ian Shepherd (dynamicrangeday.co.uk) for great example videos on why FDR is important in the music industry.

One of the main problems is, that FDR is no guarantee for high quality sound. There are many praised FDR reissues and many who sound nearly the same or even worse than the original release. Fortunately due to the awesome website http://dr.loudness-war.info/ you can finde a huge FDR album database online where you can check the Dynamic Range of records. Furthermore you can download a measuring tool and upload new albums to the database.


Fortunately this Slaughter of the Soul vinyl version was already included in the database (link). Compared to the three CDs already in the database the DR rating is way higher and it even beats the losless download version (although by a small margin). The release is not outstanding in terms DR but still sounds very good. I hope someone can upload the score for the other vinyl releases of this album. For my personal test I played the record against high quality streaming on spotify, the 2002 reissue on cd  and losless .flac from earaches bandcamp page. While the quality of the vinyl record was better on low, moderate and loud volume settings compared to the CD and the spotify stream, there was no audible difference compared to losless.

Quality:
I am not going to review the music as you can find hundreds of reviews out there but I am still interested in the quality of the material. This reissue comes in cardboard sleeve wich is a vinyl version of the CD front and back. The cardboard sleeve is okay, the quality is not exceptional and not bad. This definitely feels like a 90's vinyl version. Included is a printed inner sleeve with the lyrics on one side and thank you notes on the other side. The record itself is plain black heavyweight vinyl. The sticker resembles the CD with some writing added (source).


Conclusion:
This version is definitely an upgrade of the CD version of Slaughter of the Soul but might not beat the original vinyl and losless download versions. As it comes pretty cheap it is still a nice pickup for any heavy vinyl collection. If you care for music quality make sure to do some research as FDR does not mean you get the best version available.


Don't forget to like us on facebook if you want to get notifications about new posts.